In this lesson
Scene lesson number two: the restaurant, door to door. You’ll learn to want things out loud — Japanese splits “I want X” and “I want to do X” into two tidy frames — plus the polite way to offer, to prefer, and to order several things at once. And because restaurants talk back, there’s a new listening script: six fixed lines the staff will say to you at full speed.
One register rule up front, because it’s the most important sentence in this lesson: the wanting frames are for your own wants only. You’ll never point them at another person — Japanese asks about others sideways, and this lesson shows you the polite sideways.
By the end of this lesson you can:
- get a table for two and a menu,
- order three things in one breath, with quantities,
- state a preference — and use it to recover when something’s sold out,
- catch the restaurant script (headcount? this way? wait a moment?) without translating,
- and settle the check, closing the meal with the one phrase that is the tip in Japan.
As always: tap each sentence and listen first, repeat it aloud, then check yourself against the text and meaning that appear. Tap again to listen as often as you like.
Warm-up
Before anything else, clear your Anki reviews — the deck is the real warm-up; the remix below just gets you moving.
Remix
Lessons 1–4, aimed at tonight’s dinner. Listen cold first.
Frame: ___ ga hoshii desu.
___ ga hoshii desu.— “I want ___.” (things — and only your wants)
hoshii — want (a thing) — takes ga, a new particle that marks what the wanting points at. Two rules, both about register: first person only — never ask someone hoshii desu ka (offers work differently; see the dou frame below) — and not at the point of sale: when money is changing hands, use kudasai / onegaishimasu. Hoshii is for telling your companion what you feel like.
Mizu ga hoshii desu.
mizu — water. (In restaurants it’s free — see “How to behave.”)
Ocha ga hoshii desu.
ocha — (green) tea. Usually free, like restaurant water.
Gohan ga hoshii desu.
gohan — rice, and by extension a meal. This sentence is the traveler’s “I’m hungry.”
Mizu, onegaishimasu.
And the register rule in action: the want was for your companion; the request — to staff — rides on Lesson 1’s onegaishimasu.
Frame: [verb]-tai desu.
[verb]-tai desu.— “I want to [verb].” (first person only)
Wanting to do something has its own frame. First, two verbs you’ll use at every meal — complete sentences on their own, like every -masu verb:
Tabemasu.
tabemasu — eat.
Nomimasu.
nomimasu — drink.
Ocha o nomimasu.
Objects ride o, exactly as they did with kudasai. Now the frame: swap -masu for -tai desu and the verb becomes a want.
Tabetai desu.
tabemasu → tabetai desu. One swap, no exceptions. (Nomitai desu works identically, and ikitai — “want to go” — arrives with its verb in Lesson 6.)
Sushi ga tabetai desu.
sushi — you know this word; now it’s officially yours. ga marks the target of the want, same as with hoshii.
Biiru wa arimasu ka.
biiru — beer (mind the long vowel — Lesson 0’s building/beer pair). The recycle: your want to drink becomes Lesson 4’s frame when you’re actually asking the shop.
The same rule as hoshii: never -tai desu ka at another person (“do you want to…?” is prying in Japanese). Asking about someone’s plans uses plain verb questions (Lesson 6); making offers uses the frame two blocks down.
Frame: ___ ga ii desu.
___ ga ii desu.— “___ is good (for me).” (answering a choice)
ii — good/okay — the little word hiding inside Lesson 3’s Kaado, ii desu ka. With ga, it states a preference: gentler than a demand, and built for answering a choice someone has just offered you.
Kore ga ii desu.
When someone puts options in front of you — meat or fish?, window or aisle?, which one? — this is the answer. Ordering from scratch is still kudasai / onegaishimasu.
Sakana ga ii desu.
sakana — fish. This is the answer when the server asks meat or fish? — to order it cold, off a menu, it’s Sakana, onegaishimasu.
Ocha ga ii desu.
The sold-out recovery: when your first choice fails, name a second with ga ii desu. (It’s the move that saves dinner when the kitchen is out of your first pick.) ii’s antonym is warui — bad — mostly for weather and luck; you’ll rarely need it about food.
Frame: ___ onegaishimasu.
___ onegaishimasu.— “___, please.” (services & requests)
Lesson 1’s all-purpose please, now official as a frame: put any noun in front of it and you’ve politely requested that thing or service. It’s kudasai’s twin, but not its equal, and the difference is worth memorizing. kudasai means “please give me,” so it needs something that can be put in your hand. onegaishimasu means “please handle this,” and it takes anything — a service (Okaikei onegaishimasu, the check), a destination, a stretch of time. There is no kudasai version of those: nobody can hand you a check-in.
So the two overlap only in one place — ordering a thing at a counter, where either works. Outside that, onegaishimasu is the one that never runs out of room. When you are not sure, reach for onegaishimasu; when you are pointing and counting, reach for kudasai.
Koohii onegaishimasu.
koohii — coffee (two long vowels, as drilled in Lesson 0). The entire cafe transaction.
Kore, onegaishimasu.
Old friend from Lesson 2 — it was this frame all along. (Destinations — “to the station, please” — join in Lesson 6.)
Frame: ___ wa dou desu ka.
___ wa dou desu ka.— “How about ___? / How is ___?”
dou — how — and not one other new word: this frame is built entirely from parts you own. It does two jobs: offering (the polite way to ask what hoshii must never ask) and asking opinions.
Koohii wa dou desu ka.
This is how you ask someone what they want — offer a thing, let them accept or decline. (Hai, onegaishimasu. / Iie, daijoubu desu. — the Lesson 1 pair answers it perfectly.)
Dou desu ka.
Bare, it asks for an opinion of whatever’s in front of you.
Oishii desu.
oishii — delicious — the answer you’ll give most, and the single best word to say to anyone who feeds you. (Its antonym mazui — tastes bad — exists for your ears; saying it about food someone served you is a small act of war.)
Ramen wa dou desu ka.
ramen — from Lesson 0’s rhythm drills to a real dinner proposal.
The move: ordering by joining
The hard English idea: “I’ll have the bread and eggs, and also a beer.” Clause glue everywhere. The MiniCore move: two tiny particles — to joins nouns inside one order, mo adds another order on top. No new frames needed; they slot into the ones you have.
Pan to tamago o kudasai.
to — and (between nouns only). pan — bread; tamago — egg (your Lesson 0 metronome word, finally on a plate). Chain as many as you like: X to Y to Z o kudasai.
Kore mo kudasai.
mo — also/too. It replaces wa or o: kore mo, never “kore o mo.”
Biiru mo onegaishimasu.
mo rides any request frame. Order, remember one more thing, mo it on.
Niku to yasai o kudasai.
niku — meat; yasai — vegetables. With to, mo, and pointing, a table of four is no harder than ordering for one.
Old frames, new words
Tonight’s vocabulary through Lessons 1–4’s frames:
kudamono — fruit (famously beautiful and famously pricey in Japan).
Kore o kaimasu.
kaimasu — buy — verb number five, same -masu shape as always.
Menyuu o mimasu.
mimasu — see/look at — and menyuu — menu. (Mimasu is the polite living form of the miru frozen inside Lesson 3’s miru dake desu.)
Sushi wa ikura desu ka.
Lesson 3’s price frame, aimed at a restaurant menu.
Mizu wa daijoubu desu.
The polite decline, aimed at the endless free refills.
Hitori desu.
hitori — one person. Solo dining is common and completely unremarkable in Japan — counter seats exist for exactly this.
Atsui desu!
atsui — hot to the touch. The word your first takoyaki teaches you the hard way.
Tsumetai desu.
tsumetai — cold to the touch (the beer, the oshibori in summer). Pair: atsui/tsumetai.
Set pieces
Fixed utterances — together they are the restaurant visit. Memorize whole.
First words after sitting down.
Eigo no menyuu wa arimasu ka.
Worth asking before you wrestle the Japanese one — tourist-area restaurants very often have an English menu, and the question costs four words you already own (Lesson 4’s arimasu ka, Lesson 2’s no). If the answer is arimasen, Kore to kore o kudasai and Osusume wa nan desu ka work on any menu in the country.
Kore to kore o kudasai.
The point-and-order sentence. With a menu in front of you, it renders most food vocabulary optional — which is exactly why this course can stay small.
Osusume wa nan desu ka.
osusume — the house recommendation, and arguably the most useful noun in Japanese dining. Menus run long, handwritten, and untranslated; this question hands the decision to the person who knows, and the answer usually comes with a pointing finger you can follow.
Osusume, onegaishimasu.
And when you’d rather skip the menu entirely: order the recommendation itself. It works in any restaurant in the country, it needs no food vocabulary at all, and kitchens quietly love the customer who asks for it.
Futari desu.
futari — two people. The answer to the door question nan-mei sama desu ka (“how many people?” — one you catch by ear). Among the most-said traveler sentences in Japan.
San-nin desu.
san-nin — three people. From here the people-word is just number + -nin…
Yo-nin desu.
yo-nin — four people — never “yon-nin”; it’s the same yo- that four o’clock will use in Lesson 6 (yo-ji). Beyond four: fingers up, palm out, desu. The door question never needs more than this.
Okaikei onegaishimasu.
okaikei — the bill. Say it to any staff member; then pay at the front register (see “How to behave”).
Itadakimasu.
itadakimasu — said quietly just before eating, to no one and everyone: gratitude for the meal about to happen. Hands together is optional; saying it is not really. It pairs with the next sentence the way douzo pairs with doumo — one opens the meal, one closes it.
Gochisousama deshita.
gochisousama deshita — the closing bow of every meal, said to no one and everyone as you leave. Remember Lesson 1: no tipping, ever — this sentence is the tip, and it’s worth more than money to the people who cooked.
Dialog
The full scene: door, table, order, a sold-out beer, the check, the exit. The staff side uses the real restaurant script — fast lines you’ll drill in the next section. Listen to the whole dialog cold first.
Irasshaimase. Nan-mei sama desu ka. Futari desu. Kochira e douzo. Sumimasen! Menyuu onegaishimasu. Hai, douzo. Kore to kore o kudasai. Biiru mo onegaishimasu. Sumimasen. Biiru wa urikire desu. Daijoubu desu. Ocha ga ii desu. Shou-shou omachi kudasai. Itadakimasu. Oishii desu. Okaikei onegaishimasu. Go-issho de yoroshii desu ka. Hai. Gochisousama deshita. Arigatou gozaimasu.Note the sold-out moment: daijoubu desu absorbed the bad news, ga ii desu named plan B, dinner proceeded. That two-sentence recovery is this lesson’s real exam. And catch both meal bookends in their places — itadakimasu at the first bite, gochisousama deshita at the door.
What they’ll say to you
The restaurant script — six fixed lines, one decision each. Catch the decision point, answer from your small set. Play these until the shape of each is unmistakable at speed.
Nan-mei sama desu ka. Kochira e douzo. Shou-shou omachi kudasai. Go-issho de yoroshii desu ka. Raasuto oodaa ni narimasu. Urikire desu.Every answer these lines need, you already own: futari desu, hai, the accept/decline pair, and ga ii desu for plan B.
Repair drill
You point at a mystery item on the menu and ask. The answer is today’s specials, at waiter speed. You are not expected to parse it.
Kore wa nan desu ka. Honjitsu no osusume wa toro to hirame no nigiri moriawase ni narimasu. Yasashii nihongo de, yukkuri onegaishimasu. Osusume desu. Kore desu.Asked for easy Japanese at an easier pace — the combined form of Lesson 1’s two rungs — the answer collapsed to two frames you own, and to a word you drilled minutes ago: osusume, the recommendation from the set pieces, now caught in the wild. Repair didn’t just rescue the exchange; it turned a wall of sound into a word you own doing its job.
How to behave: the restaurant
- The plastic food in the window is a menu. Those model dishes out front show everything with prices before you commit to a door — and they can order for you: photograph the one you want on the way in and show the photo with Kore, onegaishimasu, or walk the server out to the window and point at the real thing. No need to hunt for its name in the menu.
- A clipboard or tablet by the door is the waitlist. Write your name (romaji is fine) and party size, then wait nearby — you’ll be called by a creative reading of what you wrote, so keep an ear out for anything that sounds even vaguely like your name. No Japanese needed; the sheet is the whole system, and it beats hovering at the host stand.
- Summon servers with a clear
Sumimasen!across the room. This is correct, not rude — waiting silently to be noticed means waiting forever. Many tables have a call button instead: press it guilt-free. - The oshibori (wet towel) is for hands only. Not face, not neck, not the table. (And if the chopsticks are defeating you: Fooku wa arimasu ka — “fork” in its Japanese costume — works at any casual restaurant; nobody judges.)
- Pay at the front register on the way out, not at the table. Okaikei onegaishimasu gets you the slip; carry it to the register (Lesson 3 tray rules apply).
- Water and tea are free — often self-serve from a station by the wall. Nobody is upcharging you; refills are endless. (And yes, tap water is safe everywhere in Japan — what the restaurant pours is what the tap gives, so fill your bottle guilt-free.)
- Bookend the meal:
itadakimasubefore,gochisousama deshitaafter. The first is said quietly to the food as much as to anyone; the second closes the meal the way arigatou gozaimasu closes a purchase — and completes the no-tipping story from Lesson 1: gratitude in Japan is spoken, not paid.
Checkpoint
Your exit exam, out loud. Each line below sets a scene from this lesson — say the Japanese before you tap; the tap plays the answer. Check yourself, repeat after the audio matching its pronunciation, rhythm, and speed, and if one won’t come, replay its section. These are this deck’s speaking cards — in Anki they queue up after the listening cards, so you’ll always have heard a line before you’re asked to produce it.
Still on the checklist — ears and behavior, with no card to grade you:
- all six script lines at speed? (the script section — loop it if not)
- leaving correctly — and no tip?
Vocabulary reference
The particles ga (marks the target of wanting/preferring), to (“and” between nouns), and mo (“also,” replaces wa/o) are sentence-internal — no standalone audio; hear them in the frames above.
| # | Romaji | English | Notes |
|---|---|---|---|
| 1 | hoshii | want (a thing) | first person only; not at the register |
| 2 | -tai | want to [verb] | tabemasu → tabetai desu; first person only |
| 3 | ii | good / okay | ___ ga ii desu = ___ is good (answering a choice) |
| 4 | warui | bad | pair: ii; mostly weather & luck |
| 5 | dou | how | offers & opinions |
| 6 | tabemasu | eat | tabetai desu = want to eat |
| 7 | nomimasu | drink | |
| 8 | kaimasu | buy | |
| 9 | mimasu | see / look at | the miru of miru dake desu, alive |
| 10 | hitori | one person | Hitori desu. — party of one |
| 11 | futari | two people | Futari desu. — drilled whole |
| 12 | oishii | delicious | say it often |
| 13 | mazui | tastes bad | for your ears; don’t aim it at hosts |
| 14 | atsui | hot (to touch) | pair: tsumetai |
| 15 | tsumetai | cold (to touch) | pair: atsui |
| 16 | mizu | water | free, with refills |
| 17 | ocha | (green) tea | usually free too |
| 18 | koohii | coffee | ko·o·hi·i — 4 beats |
| 19 | biiru | beer | 3 beats — not biru (building) |
| 20 | gohan | rice / a meal | Gohan ga hoshii desu. = I’m hungry |
| 21 | pan | bread | |
| 22 | niku | meat | |
| 23 | sakana | fish | |
| 24 | yasai | vegetables | |
| 25 | tamago | egg | ta·ma·go — flat, no stress |
| 26 | kudamono | fruit | |
| 27 | menyuu | menu | |
| 28 | sushi | sushi | |
| 29 | ramen | ramen | said ra-a-me-n |
| 30 | Okaikei onegaishimasu. | The check, please. | then pay at the front register |
| 31 | Gochisousama deshita. | Thanks for the meal. | the verbal tip — always on the way out |
| 32 | Itadakimasu. | (said before eating) | the meal’s opening bookend |
| 33 | san-nin | three people | San-nin desu. |
| 34 | yo-nin | four people | never “yon-nin” — beyond four: fingers + desu |
| 35 | osusume | recommendation | Osusume wa nan desu ka. — works everywhere |
Recognize only — never say these. The restaurant script, for your ears exclusively:
| Script line | It means | You answer |
|---|---|---|
| Nan-mei sama desu ka. | how many people? | Answer futari desu / hitori desu |
| Kochira e douzo. | this way, please | follow them |
| Shou-shou omachi kudasai. | one moment, please | Answer hai — and wait |
| Go-issho de yoroshii desu ka. | paying together? | Answer hai — or point between yourselves to split |
| Raasuto oodaa ni narimasu. | last orders | order now, or okaikei onegaishimasu |
| Urikire desu. | sold out | Answer daijoubu desu — then ___ ga ii desu |
Anki deck
Drill this lesson’s audio anywhere: download the Lesson 5 Anki deck. Sentence cards are the course; vocab cards are backup — suspend them unless a word won’t stick.