In this lesson

Travel is mostly looking for things: a toilet, an ATM, Wi-Fi, your own phone. This lesson gives you the “does it exist and where” toolkit — three frames that turn any noun into a search query. Along the way, the polite verb shape you met in Lesson 3 (haraimasu) becomes a system: every verb has a yes-form and a no-form, and that’s the entire conjugation table of this course so far.

By the end of this lesson you can:

  • ask whether any place, object, or person exists or is available,
  • ask where anything is — and state simple locations yourself,
  • say what you’re looking for,
  • and, most importantly, design your questions so the answers come back catchable.

As always: tap each sentence and listen first, repeat it aloud, then check yourself against the text and meaning that appear. Tap again to listen as often as you like.

Warm-up

Before anything else, clear your Anki reviews — the deck is the real warm-up; the remix below just gets you moving.

Remix

Lessons 1–3 only — shop talk plus the repair kit, recombined. Listen cold first.

Ano mise wa yasui desu. Kono mise wa ookii desu. Mittsu, kudasai. Okane wa kore dake desu. Mou ichido, yukkuri onegaishimasu.

Frame: ___ wa arimasu ka.

___ wa arimasu ka. — “Is there ___? / Do you have ___?”

arimasu — exists / there is / (a place) has — for things. This one frame is both “is there a toilet?” and “do you have bags?”; Japanese doesn’t split existence and possession the way English does, which is one less thing to learn.

And here’s the verb system: -masu is the polite yes-shape, -masen is its no-shape. Arimasu / arimasen. Imasu / imasen. Even Lesson 3’s haraimasu has its twin, haraimasen. Two endings, every verb, no exceptions — past tense joins in Lesson 6, and that’s the entire paradigm.

Toire wa arimasu ka.

toire — toilet. Asked in any shop or station, completely normal (see “How to behave”).

Fukuro wa arimasu ka.

Lesson 3’s fukuro in the new frame — same word, new power.

Hai, arimasu.

The answer echoes the verb. Catchable by design.

Arimasen.

arimasen — the no-shape in the wild. When you hear it, the thing doesn’t exist here; move on gracefully.

Koko ni arimasu.

ni pins existence to a place: PLACE ni arimasu — “it’s at/in PLACE.” (And there’s koko — “here” — the first of the place series koko / soko / asoko / doko.)

Soko ni arimasu.

soko — there, by you — the middle distance of the place family.

Ue ni arimasu.

ue — up / above (a Lesson 0 rhythm word, now earning a living).

Shita ni arimasu.

shita — down / below. ue/shita is a pair — shop shelves and station lockers speak it fluently.

Kagi, onegaishimasu.

kagi — key — dropped straight back into Lesson 1’s request pattern. (Hotel front desks run on this sentence.)

Frame: ___ wa imasu ka.

___ wa imasu ka. — “Is ___ there / in / around?” (people & animals)

Japanese uses a different existence verb for living, moving things: imasu. Things arimasu; people and animals imasu. That’s the entire rule.

Tanaka-san wa imasu ka.

Asking for a person at a desk, an office, a guesthouse.

Hai, imasu.

Just like arimasu ka → hai, arimasu, the question shapes its own answer.

Iie, imasen.

imasen — and the -masu/-masen system holds: every verb has a yes-shape and a no-shape.

Frame: ___ wa doko desu ka.

___ wa doko desu ka. — “Where is ___?”

doko — where. And look at it: ko-so-a-do again. Lesson 2 gave you the thing column (kore, sore, are, dore); here’s the place column — koko (here), soko (there by you), asoko (over there), doko (where?). One grid, whole language.

Hoteru wa doko desu ka.

hoteru — hotel.

Ginkou wa doko desu ka.

ginkou — bank (another Lesson 0 sound, now a word you own). ATMs live in konbini too — often the faster answer. (And “ATM” said as English letters is a Japanese word — Ee-tii-emu wa doko desu ka works everywhere.)

Iriguchi wa doko desu ka.

iriguchi — entrance.

Deguchi wa doko desu ka.

deguchi — exit. Its pair with iriguchi matters in stations, where picking the wrong one costs you a city block.

Koko desu.

The answers you’ll give: koko / soko / asoko + desu. (You’ve been saying the “for here” chunk koko de onegaishimasu since Lesson 3 — now you can see the koko inside it.)

Asoko desu.

asoko — with a point, this answers most doko questions you’ll ever be asked.

Keitai o sagashimasu.

sagashimasu — look for — this lesson’s third verb, and keitai — mobile phone. X o sagashimasu is doko’s partner: it explains your search to anyone helping you. (keitai is also half of Lesson 1’s phone-bailout chunk — Wakarimasen. Keitai o misemasu. — whose verb arrives in Lesson 7.)

Pasupooto o sagashimasu.

pasupooto — passport. May you never need this sentence with this noun.

Deguchi wa asoko desu.

And the recycle: new words settling back into Lesson 2’s ___ wa ___ desu. — you can answer location questions, not just ask them.

The move: shape the question

The hard truth: every question you ask invites an answer at native speed. “Where is X?” invites directions — clauses, landmarks, hand-waving. The MiniCore move: before you speak, pick the question form whose answer you can catch. The safest questions are yes/no — their answers are hai, iie, arimasen, daijoubu desu, all parseable. You usually know what you want; ask about that, not about the world.

Resutoran wa arimasu ka.

Not “where can I eat?” — that’s unparseable homework. Arimasu ka gets you a hai and a pointed finger.

Konbini wa asoko desu ka.

The expert version: turn even a where question into a yes/no by guessing and pointing. Wrong guess? They’ll point at the right place — which was the answer you wanted anyway.

doko is your first step off the yes/no ladder — its answers are usually a point plus a couple of direction words (those arrive, as listening material, in Lesson 6). Until then, the two moves above plus the next section’s cultural note cover you completely.

Old frames, new words

This lesson’s words, flowing back through Lessons 1–3:

Kono hoteru wa atarashii desu.

atarashii — new. Lesson 2’s kono + Lesson 3’s adjective pattern.

Ano hoteru wa furui desu.

furui — old. Atarashii (new) and furui (old) side by side make Lesson 3’s comparison-by-enumeration move, choosing your lodging.

Hito, ooi desu.

ooi — many/lots. The universal Kyoto-in-cherry-season observation.

Hito, sukunai desu.

sukunai — few. The antonym pair ooi/sukunai — negation by antonym still applies: “not crowded” = sukunai desu.

Resutoran wa asoko desu.

resutoran — restaurant — Lesson 0 rhythm practice, now vocabulary.

Pasupooto, douzo.

Hotel check-in wants your passport (it’s the law for foreign guests) — hand it over the Lesson 1 way.

Kaban wa ikura desu ka.

kaban — bag (the carrying kind, vs. Lesson 3’s fukuro, the plastic kind) — shopping with Lesson 3’s frame.

Set pieces

Five fixed utterances — the first one may be the single most-Googled sentence in Japanese travel. Memorize whole.

Toire wa doko desu ka.

Deploy anywhere, guilt-free — asking is completely normal in Japan (nobody expects you to buy anything). One heads-up: the answer often comes back wearing a politer word for the same room — otearai — a word to catch by ear.

Wai-fai wa arimasu ka.

wai-fai — Wi-Fi. Hotels, cafes, stations. The answer usually comes with a password card — douzo.

Kore, eigo wa arimasu ka.

The finisher for Lesson 2’s “When you can’t read it” moves — sayable now that you own arimasu ka. Point at the unreadable thing (a menu, a pamphlet, a machine’s screen); you don’t need its name, and an English version exists more often than you’d guess. When you do know the name, Lesson 2’s no sharpens the question — eigo no menyuu wa arimasu ka, an English menu — drilled in Lesson 5.

Kaban no naka ni arimasu.

naka — inside. Look at the machinery: Lesson 2’s no + naka + this lesson’s ni arimasu — three small pieces, one very reusable sentence. (X no naka = “inside X” works for any X.)

Koko wa doko desu ka.

The sentence for the moment the map app dies or the alley stops matching the screen: show your map — paper or pin — ask, and let the pointing finger do the rest. Nobody in Japan will leave you standing there; expect to be walked (the rule from this lesson’s behavior notes applies double when you’re lost).

Dialog

Hotel front desk, evening check-in questions. Listen to the whole dialog cold first, then line by line.

Sumimasen. Hai. Konbini wa arimasu ka. Hai, arimasu. Asoko desu. Wai-fai wa arimasu ka. Hai. Pasuwaado wa kore desu. Arigatou gozaimasu. Toire wa doko desu ka. Asoko desu. Doumo.

Did you spot the new word? pasuwaado — password — arrived unasked, in a frame you know, attached to a card in her hand. Context + frames = free vocabulary, every day — and this one earns a permanent spot on your list.

What they’ll say to you

One line for your ears — the answer to this lesson’s most-asked question, wearing the word Japan actually prefers. You never need to say this.

Otearai wa asoko desu.

otearai — literally “the hand-washing (place)”: the exact same room as your toire, in politer dress, and the word staff often reach for when they answer you. Your production side never changes — toire is plain, correct, and understood everywhere — but the reply to Toire wa doko desu ka frequently arrives wearing otearai, so your ear needs the word even though your mouth never will. Doors and signs play the same trick: お手洗い (otearai) and 化粧室 (keshoushitsu — roughly “powder room,” the department-store favorite) mark the toilet as often as トイレ (toire) does; the pictogram beside them settles any doubt.

Repair drill

You ask a stranger where the bank is. What comes back is real directions — landmarks, turns, everything. You are not expected to parse it. Watch what happens instead.

Sumimasen. Ginkou wa doko desu ka. Ano shingou o migi ni magatte, futatsu-me no kado o hidari desu ne. Sumimasen. Wakarimasen. Asoko desu.

An honest wakarimasen didn’t end the conversation — it upgraded it. She walked him to where pointing works. This is the normal outcome in Japan, not the embarrassing one.

How to behave: asking strangers

  • Open every approach with sumimasen. It licenses the interruption — after it, you’re someone politely asking, not someone bothering.
  • Expect to be walked, not directed. Staff and even passersby will often take you to the thing rather than describe the route (kochira e douzo — “this way”). Follow them; it’s kindness, not inconvenience.
  • Toilets are free and everywhere — konbini, stations, department stores. Asking Toire wa arimasu ka. is completely normal; nobody expects you to buy anything.
  • Addresses won’t help you the way you expect. Japanese addresses are block-based, not street-based — even locals navigate by landmarks. Don’t read an address aloud; show it (or the map pin) and let doko desu ka + their pointing finger do the rest.

Checkpoint

Your exit exam, out loud. Each line below sets a scene from this lesson — say the Japanese before you tap; the tap plays the answer. Check yourself, repeat after the audio matching its pronunciation, rhythm, and speed, and if one won’t come, replay its section. These are this deck’s speaking cards — in Anki they queue up after the listening cards, so you’ll always have heard a line before you’re asked to produce it.

First question in any café. Ask if there is Wi-Fi. Wai-fai wa arimasu ka.
At the office desk. Ask if Tanaka-san is in. Tanaka-san wa imasu ka.
They ask if your friend is with you. He is not — say so. Iie, imasen.
You are lost. Map out, point at it — where is here? Koko wa doko desu ka.
The universal question. Where is the toilet? Toire wa doko desu ka.
You think you can see the konbini. Point, and turn the where-question into a yes-no. Konbini wa asoko desu ka.
Where is your passport? In your bag — say so. Kaban no naka ni arimasu.
A form you cannot read. Point at it and ask if there is an English one. Kore, eigo wa arimasu ka.
Retracing your steps at the lost-and-found. Say what you are looking for — your passport. Pasupooto o sagashimasu.
The convenience-store ATM rejected your card. Ask where the bank is. Ginkou wa doko desu ka.
The check-in desk wants ID. Hand your passport over, with the word. Pasupooto, douzo.
Back at the front desk after breakfast. Ask for your key. Kagi, onegaishimasu.
The museum takes up a whole block, with no door in sight. Ask where the entrance is. Iriguchi wa doko desu ka.
Your friend can't find the way out. Point — the exit is over there. Deguchi wa asoko desu.
Where's the green tea? Top shelf — say so. Ue ni arimasu.
Where's the cheap tea? Bottom shelf — say so. Shita ni arimasu.
Someone hunts everywhere for their pen — it's right beside them. Say so. Soko ni arimasu.
First impression walking in — this hotel is new. Kono hoteru wa atarashii desu.
Peeling paint, a faded sign. That hotel is old. Ano hoteru wa furui desu.
The platform is packed. Say so. Hito, ooi desu.
Hardly a soul on the side street. Say so. Hito, sukunai desu.

Still on the checklist — ears and behavior, with no card to grade you:

  • otearai — when your toire comes back dressed up politely, do you catch it? (the script section)

Vocabulary reference

The particle ni (“at/in” — pins existence to a place) is sentence-internal like wa/o/ka/no — no standalone audio; hear it in the frame section.

#RomajiEnglishNotes
1arimasuthere is / has (things)no-shape: arimasen
2imasuthere is (people/animals)no-shape: imasen
3sagashimasulook for___ o sagashimasu
4kokohereplace column of ko-so-a-do
5sokothere (by you)
6asokoover thereyour default doko answer
7dokowhere
8atarashiinewantonym: furui
9furuiold (things)antonym: atarashii
10ooimany / crowdedantonym: sukunai
11sukunaifew / quietantonym: ooi
12hoteruhotel
13toiretoiletfree & everywhere — just ask
14resutoranrestaurant
15ginkoubankkonbini ATMs often beat it
16iriguchientrancepair: deguchi
17deguchiexitpair: iriguchi
18keitaimobile phonesaid with a two-beat e (kei)
19kabanbag (carried)vs. fukuro, the plastic kind
20kagikey
21pasupootopassporthotels must see it — hand it with douzo
22wai-faiWi-Fi
23pasuwaadopasswordarrives on a little card — douzo
24nakainsideX no naka = inside X
25ueup / abovepair: shita
26shitadown / belowpair: ue

Anki deck

Drill this lesson’s audio anywhere: download the Lesson 4 Anki deck. Sentence cards are the course; vocab cards are backup — suspend them unless a word won’t stick.